😃 😂 🤭 😆
One of the most effective manipulative tricks used for asserting the dogma of emotional repression in piano performance of Bach’s music is based on taking advantage of the scarcity of archival records about Bach. And, proponents of emotional confinement for Bach had been using sinister strategy of making Bach obligated to provide written proof for his defiant innovations, he spelled out in his music scores, instead of recognizing their evident presence, just as they were employed by composer in his scores.
But, Bach provided the students of his scores with the effective shield from such attacks on his music and was remarkably inventive about it too: His own laughter at the offenders of his music is spelled out in his Fugue-Parody, that trains eager to learn the truth students of his scores to achieve their own capacities, in order to share the fun of his giggles… And those Bach’s students, able to follow his musical humor, had been summoned by Bach to declare the true standard for his music loud and clear.
After all, it is also obvious that his unfinished battle with zombification in music and caused by it self defeat and harm of moral atrocity requires camaraderie and global teamwork!
Indeed, all humans make mistakes… But the sooner they are corrected, the less problems they continue to cause, especially, when it comes to the limited power of musicians to serve in the last line of defence from powerful and elusive inner forces of the human brain of zombification.
However, when it comes to the deliberate, stubborn, ill-minded and profit-driven war on Bach’s music and on the students of his scores, Bach made impossible for such insistence on making his polyphony distorted into dull, non-resonant and thus, unattractive for many musicians Muzak without having to face laughter to scorn the lack of basic music literacy… Nothing else is really necessary to understand his intentions, clearly spelled out in his scores, that now had been accompanied with sensory sobriety guide to overcome collective blind spot of disability to see politically incorrect truth, caused by maladaptive conformity.
On the other hand, those willing to unclench their fists and ready to learn Bach’s lessons will have the benefit of his guidance. … There had been a notable correlation between the degree of skepticism about Bach’s true nature and the degree of later appreciation for the high efficacy of Bach’s LAUGHTER TEST among those, who is capable to follow the logic and exercise critical thinking, in spite of the pressure of social influences surrounding the tradition of flawed patterns (described in Asch, Milgram, Lucifer Effects):
When such skeptics sit down at the piano with their open mind, follow the score of Fugue-Parody (with scaffolding and then, without it) and give themselves the permission to enjoy the fun, spelled out in the score by Master music educator, they are in for the surprise of their lifetime: They can accept Bach’s invitation to experience the healing power of self deprecating humor, thanks to unique design of this Bach’s Fugue. Its transformative power is not to be underestimated in the capacity for facilitating self reflection and self growth.
The exhilaration from the intellectual delight of grasping the evidence of Bach’s brilliance in his exemplary intricate mastery of using sonic resources within the framework of strict fugue-form for creating musical jokes proved to have powerful healing impacts, especially when used in conjunction with the authentic narrative, attached to very potent musical humor-metaphors, with well specified character features.
😃 😂 🤭 😆
The resulting shared laughs with the creator of this didactic maverick are the priceless reward for the efforts of inner rebellion. It serves as the evidence of the personal success in self-growth through learning what it takes to achieve emotional freedom and having the insider’s experience to guide such transformation through music for others!
Deeply felt gratitude to artist Jonathan Plotkin @Spontoonist for his inspiring, visionary artwork
Click on image to visit his FB PAGE
Keynwords: #jsbach #johannSebastianBach #WellTemperedClavier
author rozalina gutman book on paradox of invisible dissonance in fugue-parody by j.s.bach from well tempered clavier
didactic update on emotionally nuanced piano performance of j.s.bach’s polyphony
