PARADOX OF INVISIBLE DISSONANCE IN FUGUE-PARODY BY J.S.BACH, the new book by Rozalina Gutman

Ms. Rozalina Gutman is music educator, internationally recognized for her magic of fostering prodigious success in young students, in defiance of low educational standards. She is multidisciplinary scholar and inspiring presenter at the international conferences. Ms. Rozalina Gutman is avid advocate for compliance of education policy design to brain/music research. Ms. Yan Ruimin, Vice President of Music/Arts Committee at the Ministry of Education of China praised intellectual leadership of Ms. Rozalina Gutman, inviting her to lead Intl Symposium on Advocacy for Music Education through Brain/Music Research, at 29th World Conference of ISME. And, during proceedings of ISME Research Commission, she submitted written proposal for establishing regular hearings on the subject of compliance of educational policy with the existing research data on the evident transformative, developmental, health/wellness benefits of music education. Her global causes found support from various individuals with the status of world/local celebrities. This Ukrainian-born citizen of the world immigrated to US as refugee, after becoming beneficiary of 16 years of formal training according to Russian Piano School tradition, that fostered many world-revered stars on Piano Olympus. 

Rozalina Gutman’s teaching approach focuses on fostering authentic expression skills for harnessing transformative power of Music instinct. Upcoming new edition of her original Cadenza-scaffolding, enabling children with little hands to perform unabridged 3rd movement of Mozart’s Concerto #21, will provide expanded commentary, sharing “secrets of the trade” for designing Flow environment for student’s peak performance. It broadens abbreviated summary in peer-reviewed Proceedings of International Seminar for ISME CEPROM Commission in Spilamberto, Italy, and her master class at 28th World Conference of ISME, in Bologna, Italy.).

Her textbook changing discovery of Paradox of Invisible Dissonance in Bach’s Fugue-Parody was intuitive, pain-driven (turning into silver lining her suffering of the victim of the crisis around Women-Specific Heart Disease), coherent with later found related research on the danger of emotional repression, paradoxically required, due to the false tradition of biographical distortions. It manifested into recognition of Bach Sensory Deactivation Effect, demonstrating subliminal transmutation of moral atrocity-culture into collective sensory deactivation of the capacity to grasp its self-demise/harm, evidently(!) able to enslave indiscriminately the minds of even gifted and acclaimed musicians.  Her much-awaited instalments of Biographicals are to feature at times shocking with inconvenient truth incivilities, that paradoxically derailed Bach’s advocate’s strive to share his music-based brain optimisation lessons, yearned by humanity and urgent and EXISTENTIAL for preventing societal collapse from rapidly approaching global threats, resulting from unrecognized SELF-DEFEATING collective blind spots. Her presentation on global multidisciplinary implications for ISME Research Commission spotlighted current demands for shifting to NO BUSINESS AS USUAL from addictive self-delusional culture of failed ethics and moral atrocity, in the face of the need to use music-based applications for intervention with Emotional/Sensory Reawakening, as the counterpoint to zombification. Reflected through unique design of Bach power of his emotionally/analytically balanced polyphony reflected its capacity to optimize brain function, crucial for forming new type of advanced cognitive capacities and competencies, needed for addressing without oversimplification such complexities of polyphonic realities, as prevention of the current trend of sleepwalking through the fast lane of COUNTDOWN2045 to HUMAN extinction.

For more details on various aspects of Ms.Gutman’s involvements, please, visit the tab 

AUTHOR ROZALINA GUTMAN

Book on Paradox of Invisible Dissonance in fugue-parody by j.s.Bach by Rozalina Gutman